According to the lecture, Dadaists used collage and ‘found’ materials as a central focus in their work, recognising the potential for juxtaposing images in startling and violent ways as a means of highlighting the perceived irrationality of modern life and responding to the horrors of war.
Many aspects of their style, technique and aesthetics were borrowed from Futurists, in particular the art of typography. The Dada publications established the movement's visual identity, and its strong design signature, with a rebellious nature of Dada.
Essentially, Dada was the first conceptual art movement where the focus of the artists was not on crafting aesthetically pleasing objects but on making works that often upended bourgeois sensibilities and that generated difficult questions about society, the role of the artist, and the purpose of art.
(In Progress)
Many aspects of their style, technique and aesthetics were borrowed from Futurists, in particular the art of typography. The Dada publications established the movement's visual identity, and its strong design signature, with a rebellious nature of Dada.
Essentially, Dada was the first conceptual art movement where the focus of the artists was not on crafting aesthetically pleasing objects but on making works that often upended bourgeois sensibilities and that generated difficult questions about society, the role of the artist, and the purpose of art.
(In Progress)
Comments
Post a Comment